A gentle hand beyond the strict angles reveals the 'source' of the movements of this horse.
The framework here is not that of the skeleton but it shows the different parts of the dress,
which make the steed sturdy, real, in contact with our senses.
The chosen parts of the surface correspond to the encounter between the man and the animal.
This explains the sensuality of this work, that surprises the geometry.
One detail has slipped into this coherent whole : the shape of the mouth resonates like an African song.